A while back I interviewed Intisar Khanani about Thorn her spellbinding retelling of The Goose Girl which came out earlier in the year. It is with great excitement that I share that interview with you today and I really appreciate the time Intisar took to answer my questions.
Here’s a bit about the book:
A princess with two futures. A destiny all her own
Between her cruel family and the contempt she faces at court, Princess Alyrra has always longed to escape the confines of her royal life. But when she’s betrothed to the powerful prince Kestrin, Alyrra embarks on a journey to his land with little hope for a better future.
When a mysterious and terrifying sorceress robs Alyrra of both her identity and her role as princess, Alyrra seizes the opportunity to start a new life for herself as a goose girl.
But Alyrra soon finds that Kestrin is not what she expected. The more Alyrra learns of this new kingdom, the pain and suffering its people endure, as well as the danger facing Kestrin from the sorceress herself, the more she knows she can’t remain the goose girl forever.
With the fate of the kingdom at stake, Alyrra is caught between two worlds and ultimately must decide who she is, and what she stands for.
Hello and thank you for doing this interview with me! Thorn is a retelling of The Goose Girl. Why do you like this fairy tale and therefore decide to retell it?
The Goose Girl is a rather strange story about a princess who goes off to marry her betrothed, has her identity stolen by her maid along the way, and happily goes off to be a goose girl upon arrival in her new land. She also has a talking horse (who never tells anyone what happened) and, in the original, can command the wind, though she apparently forgot to use this power to defend herself from the maid.
The story raises so many questions for me – mostly beginning with “Why?” Why not protect yourself from the maid? Why go off to be a servant without even attempting to reclaim your position? Why be complicit in your own silencing?
All these questions gave me lots of room to play, and to make the fairy tale my own while still remaining true to it. I loved the story growing up, even with all its plot holes and oddities, and so it was the perfect story to adopt when I decided to try my hand at writing a novel.
Tell us a bit about the protagonist, Alyrra, and her journey.
I wrote Alyrra in large part because I was sick and tired of seeing YA fantasy heroines who saved the day by transforming into warriors or superheroes or sorceresses – because, frankly, if that’s what it takes to save the day, we’re all in very big trouble. In trying to understand Alyrra further, I realized that the answer to one of the “why” questions above – why a princess would walk away from a position of privilege and power – was because she had never experienced it as such; she had never felt safe in her rank or title, so the opportunity to escape it would certainly appeal. And so, Alyrra comes from a history of abuse, something she struggles to overcome over the course of the book (because no, you can’t snap your fingers and get over it), and she saves the day by being true to herself and principles, and finding her own strength and voice. Honestly, I’m in awe of her.
[I’m in awe of Alyrra too!]
One of the main themes in the novel is justice and the many forms it can take. Why did you decide to explore this theme?
This was actually an issue I was really struggling with – not just justice, but mercy, and justice without mercy, and the line between justice and revenge – in the years that I was working on these revisions, and my questions found a natural home in this story. My first draft was a much lighter, fluffier book, but the story grew with me over the years, into what it is now.
Describe the prominent characters in Thorn as recipes.
Tough question! Augh!
Princess Alyrra (aka Thorn): Honey cakes, maybe? She’s naturally sweet and rather understated. Admittedly, she has a core of iron, but you shouldn’t put that in the recipe.
Prince Kestrin: Cinnamon bun inside a puzzle box. Seriously. There has to be a recipe for that somewhere.
Red Hawk (a thief lord): Tagine made with ghost peppers. Yeah, that’s not a recipe, but he’s down home and friendly and also hecka dangerous.
Sage (a friend): A nice bowl of lentil soup, no airs, all substance and warmth. You know, all told, I think Sage is the safest bet here.
Sorry if these were not quite the answers you were looking for… XD
[These were exactly the sort of answers I was looking for! And for anyone who doesn’t know, ghost peppers are some of the hottest in the world!]
Were there any specific cultures/ mythologies that inspired Thorn?
Not per se. I drew very, very lightly from specific North African cultures (and, actually, climate, flora, and fauna), but I wanted the kingdom of Menaiya to be more fantasy than a clear parallel to reality. Similarly, Alyrra’s homeland of Adania has only a passing resemblance to an old German hall, and only if you squint just so.
Are there any other fairy tales would you want to retell in the future?
So many! I am currently trying really hard to refrain from writing a gender-swapped Sleeping Beauty set in a dystopian, post-apocalyptic future, in which a young girl accidentally wakes up a Fae lord who was put in cryogenic sleep for Very Good Reasons. And I’ve also got a Red Riding Hood retelling beckoning me, featuring a military courier and a pack of enemy werewolves. So many books, so little time!
[Please write these stories Intisar, PLEASE!]
Thorn was originally self-published as an e-book. How were the experiences of self-publishing and traditional publishing different?
In a lot of ways, they were very similar, except that I had a team of support through my publishers. So, for example, I always go through multiple rounds of edits with beta readers and freelance editor. In this case, I did everything I could do with those folks, and then took my manuscript to my editor and her team in order to kick it up another notch.
With marketing, my UK publisher, Hot Key, was incredibly engaged and came up with some fantastic ways to reach and engage readers. HarperTeen was much more opaque, though I suspect a lot was going on out of sight. But I still had to do all the same marketing I would have done for an indie release, plus whatever else I could do – not a surprise, mind you! Whether you publish yourself or go the traditional route, authors nowadays are fully expected to engage in their own marketing.
Can you tell us a bit about The Theft of Sunlight? And will we get any more books featuring Alyrra?
The Theft of Sunlight features Rae, who is introduced at the end of Thorn via the included short story, The Bone Knife. In Theft, Rae heads to the capital city from her home, and somehow (strangely enough) finds herself serving Princess Alyrra as an attendant. (It is rather odd, but you know, I think there was an author involved in arranging that.) The story picks up within a week or so of Thorn ending, so we do get to see Alyrra (and Kestrin, and a few other friends) again, but all from Rae’s perspective as she takes up a few strands that were left loose at the end of the last book. I’m afraid I don’t have any more books featuring Alyrra as a point-of-view character – her story is largely told – but we will get to catch up with her through other folks’ eyes. 🙂
About the author:
Intisar Khanani grew up a nomad and world traveler. Born in Wisconsin, she has lived in five different states as well as in Jeddah on the coast of the Red Sea. She currently resides in Cincinnati, Ohio, with her husband and two young daughters. Prior to publishing her novels, Intisar worked as a public health consultant on projects relating to infant mortality and minority health, which was as close as she could get to saving the world. Now she focuses her time on her two passions: raising her family and writing fantasy.
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Thank you again to Intisar Khanani for answering my questions!
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One thought on “Sereadipity Interviews… Intisar Khanani!”
Another wonderful interview, I really love reading them. And I can’t wait to read this book. The two other fairytales that the authors thinking about sound incredible too; I seriously hope they get written at some point.
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